Michelangelo Antonioni Essay — Free college essays.

La Notte is another of Michelangelo Antonioni's cinematic interrupted journeys. Just as no one solved the central mystery in Antonioni's L'Avventura, neither does anyone truly enjoy the literary.

Antonioni used two scriptwriters to help him develop the scenario for La Notte -- Ennio Flaiano and Tonino Guerra -- and you wonder if they based this scene on the death of Curzio Malaparte who died in a Rome hospital in 1957 from lung cancer. Certainly Malaparte would've enjoyed the surrealism in the following scene when Giovanni, on leaving.

Essays and criticism on Michelangelo Antonioni - Antonioni, Michelangelo (Vol. 20). La notte and L'eclisse also rely on elaborate detail to conceal the emptiness of affluent life. Blow-Up.

Directed by Michelangelo Antonioni and written by Antonioni, Tonino Guerra, and Ennio Flaiano, La Notte (The Night) is the story about the day in the life of a married couple whose marriage is disintegrating as they spend the night confronting the state of their marriage.The second part of Antonioni’s alienation trilogy that was preceded by L’Avventura and later followed by L’Eclisse.

The disc also includes a theatrical trailer for the feature, menus and chapter selection. Inside the keepcase is a seventeen page full color booklet that contains an essay on La Notte written by critic Richard Brody as well as an article written by director Michelangelo Antonioni in 1961. Film and Blu-ray credits are also found within.

The elegance, the style, the decadence, and the existential crisis of everyone on-screen—all of those elements are so powerful when they are combined. There’s an intensity that can be generated by compressing the time frame of a film, and La notte is one of the great examples of that.

L’eclisse also came as the climax of a loose trilogy about Eros, art, business, and emotional alienation in the contemporary world that consolidated Antonioni’s international reputation, preceded by L’avventura (1960) and La notte (1961). And in some ways it upped the ante of his provocative modernism by being the most radical of the.

Blow-Up, for its part, is not only a great work of art but a great work of philosophy as well, one as impressive as Antonioni’s Italian masterpiece, La Notte (1961). Also of interest, Blow-Up caused a bit of a stir upon its release for its depiction of female nudity, casual sex, and drug use.

The Point of View of a Stranger: An Essay on Antonioni's Eclipse Antonioni's Eclipse (1962) begins at the end. It is the end of a love affair that has lasted for some time and the end of a long night of quarreling between the lovers who are breaking up. In the light of an unreassuring dawn that is Antonioni's.

Directed by Michelangelo Antonioni. With Gabriele Ferzetti, Monica Vitti, Lea Massari, Dominique Blanchar. A woman disappears during a Mediterranean boating trip. During the search, her lover and her best friend become attracted to each other.

Antonioni’s muse Monica Vitti (Red Desert) smolders as an industrialist’s tempting daughter. Moodily sensual cinematography and subtly expressive performances make LA NOTTE an indelible illustration of romantic and social deterioration.

MICHELANGELO ANTONIONI (La notte) invented a new film grammar with this masterwork. An iconic piece of challenging 1960s cinema and a gripping narrative in its own right, L’avventura concerns the enigmatic disappearance of a young woman during a yachting trip off the coast of Sicily, and the search taken up by her disaffected lover (Once Upon a Time in the West’s GABRIELE FERZETTI) and.